Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...

In the latest installment of How I Did It, director Joseph Kosinski and re-recording mixer Gary Rizzo take us behind the sounds of F1. 11-month-old puppy left at shelter with no info—then life changed ...

Joseph Kosinski had one instruction for the sound team behind his latest feature "F1": It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

Gold Derby spoke with the two key members of F1 's sound design team on our recent "Meet the Experts: Spotlight" panel to discuss surprising race day and track sounds, the unique sound challenges of ...