Bach’s Mass in B Minor begins with a majestic howl of pain—four adagio bars that combine formal grandeur with writhing interior lines, as if figures in a cathedral frieze of the Last Judgment were ...
This isn’t the Cinderella story of the musical. There’s never any doubt that the huge emotional intelligence, spirit and quick learning of Patsy Ferran’s Eliza Doolittle will win Henry Higgins’ bet ...
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